Fabrice Luchini: The Serious Side of France’s Favourite Comic Actor

 
Fabrice Luchini: The Serious Side of France’s Favourite Comic Actor

Hazel Smith reveals the serious side to comic actor Fabrice Luchini

Even in his youth, the comic actor Fabrice Luchini was a unique character. Born into a modest Montmartre family, he was given the name Robert. But when he was apprenticed at the tender age of 13 to a local hair salon, his name was swapped to Fabrice, an alias deemed much more artistic.

At 16, Luchini was already passionate about literature and soul music. While dancing to James Brown in a Paris disco, the teenaged hairdresser was discovered by director Philippe Labro, who was so struck by his ebullience that he cast Luchini in his 1969 fi lm Tout peut arriver (Don’t Be Blue). Luchini’s fate was sealed when director Éric Rohmer spied the neophyte actor reading Nietzsche and cast him in Le Genou de Claire (Claire’s Knee, 1970). Since then, Luchini has appeared in more than 70 movies, often portraying comical highly-strung and verbose characters. Effortlessly funny, he can be achingly honest too. His fi lmography includes Beaumarchais, l’insolent (Beaumarchais the Scoundrel, 1996), Jean-Philippe (2006), Les Femmes du 6e étage (The Women on the 6th Floor, 2010), Dans la maison (In the House, 2012), Alceste à bicyclette (Bicycling with Molière, 2013), Gemma Bovery (2014) and, most recently, Pascal Bonitzer’s Victor comme tout le monde (Hugo, 2026). There’s so much more to Fabrice Luchini than romcoms.

Classical Passion

While enrolled in acting classes, the young Luchini developed a lasting love for the works of France’s great classical writers. This led him to stage a series of popular one-man performances reviving the words of authors such as Baudelaire, Molière, Hugo, Flaubert and the fabulist La Fontaine. It is a little like discovering Jerry Lewis reciting Shakespeare!

Luchini is proud to champion his native tongue and by reading the precise, melodious language of these classical authors – intermingled with personal touches and entertaining anecdotes – he hopes the French public will rediscover their national literature. He has seen audiences moved to tears and laughter by the texts.

In 2021, when approached with the idea of playing Victor Hugo in a film, Luchini wasn’t interested in taking on the role of the writer. Instead, he and director and screenwriter Sophie Fillières developed a script infused with the spirit of Hugo, without becoming a history lesson.

Where art meets life

The result was Victor comme tout le monde, released in March this year, which follows an actor and fervent admirer of Victor Hugo called Robert Zucchini, played by Luchini, who tries to find a space for his family when he’s not in front of the camera or reciting great French poets on stage.

The parallels between Luchini and Zucchini are clear, although Luchini insists the fi lm is not autobiographical but a multi-layered fiction, in which the overwrought Zucchini is entirely Fabrice and yet nothing like him.

A prodigious fi lm actor, Luchini also loves to perform on the stage, and thrives on the connection with the live audiences who share his passion for classic French literature.

From France Today Magazine

Lead photo credit : WIKIMEDIA COMMONS, CG CINÉMA / ASSISE PRODUCTION / PYRAMIDE DISTRIBUTION

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After experiencing an epiphany at the Musée d'Orsay, Hazel Smith is currently a mature student of art history at the University of Toronto. Blogger and amateur historian, she has also written for the online travel guide PlanetWare.com and for davincidilemma.com. Fascinated with the lives of the Impressionists, Hazel has made pilgrimages to the houses and haunts of the artists while in France. She is continually searching for the perfect art history mystery to solve. She maintains the blogs Smartypants Goes to France and The Clever Pup (http://the-clever-pup.blogspot.ca)

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